Two Shows This Week!!

Hey kids! So as you can see by the title of this post, I have two shows this week!! I'm a little sick at the moment, but I'm trying not to let my scratchy throat get in the way of my optimism. They say a positive attitude is everything.

 My first show this week is on Thursday at the Student Center of Purchase College. The event is called "Women Out Loud," and it's put on every semester by the Alternative Clinic (the women's health clinic on campus) to celebrate all the vibrant women out there. Without giving too much away, the focus is on a woman's pride in her mind, body, and sexuality, which is often a taboo in most societies . Whatever the case, I dig it, and I think it's freaking great - I'm always delighted to support events like this.

Now onto my second show! This Saturday night at 9:30, I'll be playing at Gallery 151 in Manhattan (350 Bowery on the lower east side). This place has a really interesting history, and although I've never been there, I can tell that it has a cool vibe. Founded in 2007, this hip Soho building is actually covered in graffiti, which the renovation developers discovered when they tore down the sheet rock on the inside walls. After realizing what kind of cool artwork was underneath, the main building developer decided to display it proudly as a testament to NYC art. Kinda cool, right?

So to sum it all up, I'm really excited to perform this week! Both of the shows I'm playing represent causes that I'm really passionate about (art and womanhood), and I'm thrilled to lend my voice to them.


Wish me luck!
Leila

Ray Charles: Piano Love

Believe it or not, a piano is just like a human being. In any healthy relationship with you have with another person, you always have to find a balance between being firm and knowing when to back down. I'm finding more and more that playing piano is very similar. All of the great piano players that I've heard have this balance between firmness and flexibility down to an art.

The other thing I've noticed about people who play piano very well is that they don't just play with their fingers. They play with their entire bodies. No, I don't mean that they play the piano with their elbows, their heads, or any other odd combination of body parts. What I mean is they don't just sit there like they're having a tea party. They move with the piano, flow with it, and put physical energy into the notes they play.

The best example I can give you is Ray Charles, one of my own personal idols. Ray is a great example because event though he couldn't see, DAMN could he feel. Check out this video and you will understand exactly what I mean. 

The sound quality on this particular video isn't great, but the visual really represents the idea that I'm referring to. Ray Charles was someone who had a deep connection with the piano as if it were a person. When you watch this video, you can see how he really moves with the music, feels the subtleties, and puts his entire body and soul into what he is playing. I get chills just watching this, and I can only hope that one day I will develop these skills to such a degree . I think the most important thing to observe here is that Ray looks completely relaxed, as if he's jamming out in his living room rather than playing in front of millions of people. It's like he's not thinking at all. Food for thought: Maybe the key to being a good musician is to stop thinking so hard?!

"Master your instrument, master the music, and then forget all that bullshit and just play." -Charlie Parker

HUSH, LITTLE BABY - Song Stories

Let me just start off by saying that my recital last week was a blast! Not only were there were tons of people there, but the energy from all of the people that came was just wonderful. So if you were in the audience, I tip my hat to you. It was truly a pleasure performing for you.

Let's talk about one of the songs. The first song that I performed in my set, called "Hush, Little Baby" is a song that I hold very dear to me. Sure, it's on my EP (click here to preview on Itunes) which already makes it pretty important, but it's so much more than that. Since I wrote "Hush Little Baby" I barely ever perform a set without it.

Why is that, you ask?

I guess you could say that "Hush Little Baby" is almost like my anthem. Every singer-songwriter has that one song that stands out a little more than than others, and for me, this one is IT. I think the reason why is that it really captures the conflicted emotion that every single one of us experiences. Have a listen, and try to focus on the words.

                                            

 If you still aren't quite sure what this song is about, join the club. I wasn't even completely sure when I started writing it - all I knew was that I was experiencing a mess of emotion and anxiety that I didn't know how to handle. If you've ever experienced anxiety, you know that there are sometimes so many things swarming around in your head at such a high speed that it's hard to distinguish one thought from another. After a while, your thoughts start to blur together into one complex blob of tension that weighs down your mind, and sets its heavy little butt on your shoulders. This song works the same way. If you can picture it, the piano riff that repeats over and over again is almost like someone constantly poking at you, waiting to see when will break down and smack their hand away. In other words, everyone cracks - it's human nature.

So where does God come into all of this? All you really need to know is that He (or She, or it, or whoever/whatever you think is up there, if anything) represents the hope that all of us want to feel at some point in our lives. I'll stay away from talking about my religious beliefs, but I think we can all agree that everyone just wants something to believe in. That something doesn't have to be religious at all - it just has to be something that gives you hope. Whether you have hope in another person, your plans for the future, or your dog, everyone is a little hopeful about something. That's why it hurts so much when these forces in your life let you down. Knowing that nothing always goes your way is one of the most is one of the most beautiful and heartbreaking parts of being alive.

For me, "Hush, Little Baby" represents the inner conversations that go on whenever I am too overwhelmed to take in what is around me. I'm sure you've noticed that the voices in my head are pretty patronizing, and some of your own inner conversations probably have that in common. No one really wants to break down, and we will do everything we can to talk ourselves out of it.

Here's to a hopeful week,
Leila

REHEARSALS, REHEARSALS, REHEARSALS!!!!

Here's the photo I used for my poster. You like?

This week is a crazy and exciting week for me.  As a Studio Composition (songwriting) student, I am required to have a junior recital, as a testament to the work I’ve been doing for the past three years. Well, guess what? My junior recital is this Thursday!!

So what does that mean?

1)  I’m finally doing a show at school that my mom can actually come to (i.e. one that will not involve drunk college kids)

2)  I can jazz it up with a fancy reception and Italian food!

3)  REHEARSALS, REHEARSALS, AND MORE REHEARSALS

The great thing is that I am more excited than nervous. I usually just get really anxious and stressed out during the week of an important show, but not this time. While I’m sure the nerves will kick in on Thursday, right now I’m just going to enjoy the fact that I can dress up (what girl doesn’t love that) and play a 10-song set with my band.

Speaking of the band: damn, is this gonna sound sweet!! Drums, bass, guitar, piano (obviously) and five amazing backup vocalists. Not to mention that I just decided over the weekend to add cello to one particular song. I’ll be playing what I believe to be the best songs I’ve written over the past three years, meaning that I will settle for nothing less than an awesome show.

If you’re in the area and you’d like to come to my recital, it’s on Thursday evening at 7:30, in Room 0081 of the Purchase College Music Building. Also playing will be amazing singer-songwriter Dana Mancuso (piano-chicks unite!), so you won’t want to miss this!

Wish me luck!!

Leila

 

Great Singers vs. Mediocre Singers

I must admit, I'm pretty picky when it comes to accepting new artists. Although, I wasn't even alive at the time when motown was popular, I have a total fascination with it. My favorite kind of music, with the exception of Norah Jones and a few others probably doesn't get more recent than the 70s. So why is it that lately I've been listening to a whole lot of Adele?

Because she's freaking fabulous, that's why! Not only is she absolutely adorable as a person (which you can easily see if you read/watch her interviews on TV or in magazines) but damn, does she have talent. She has a mind-blowing voice, not to mention a refreshingly honest songwriting style. Perhaps the reason I like her so much is the old-school tinge to her voice - so soulful and strong, yet beautifully vulnerable at all the right moments. It's nice to see that someone with real talent can still make it in the mainstream music industry, especially as a singer. Take a look at the majority of artists today: most of them are singer/songwriters, with very little focus on the "singer" part of the title. If you read my first blog post, you know that this is something I've set out to change. But it's wonderful artists like Adele who give me a little more faith that it's actually possible.

This does not mean that I think every artist has to be a great singer. Bob Dylan is a perfect example of a singer/songwriter who is such a great storyteller that his voice became secondary. However, I do find that the singer/songwriters who can really sing can sometimes tell an even greater story. First, let's define a great singer: This is not someone who merely sounds "pretty." There are many people in the world with good voices, but being a great singer is a lot more than that. The thing that separates a mediocre singer and a great singer is not just the ability to sound beautiful, but the ability to tell a story with the voice. Considering that the voice is the medium that delivers the lyrics of a song, it really can tell just as much of a story as the lyrics do. When these two things work in harmony, you get a mind-blowing vocal performance.

Adele has a strong voice, but she's also extremely sensitive. She's never sings loudly for the sake of being loud, or even softly for the sake of being soft. While she's a skilled singer, she doesn't constantly need to remind you that she can do all of these things with her voice. The most important point is that she's always genuine when she sings. She doesn't sing the way she does just to impress you, or make you think "look how pretty she sounds!" Forgive me if I sound like a know-it-all, but I really have no interest in singers who simply admire themselves when they sing. If a singer sounds pretty but isn't genuine (as in, they're thinking about how to impress the audience with their next riff, rather than what they're saying), I pretty much stop caring.

This is why Adele is fabulous. She's soulful, she's sensitive, and most importantly, she's real. The video I'm about to leave you with is "Make You Feel My Love," which was written by Bob Dylan and covered by Adele. Even though this is not one of Adele's songs, it's a great example of everything I've been talking about. With lyrics written by Bob Dylan, and heart-wrenching vocals by Adele, there is definitely a story being told here.

Enjoy!

The Bitter End in NYC: A Piano-Friendly Venue

On Sunday March 20th, I played a gig at the Bitter End, a well-known NYC venue where longing musicians flock with hope that they will be heard. The Bitter End, located in Greenwich Villge, has been a starting venue for many famous musicians, including Billy Joel, Carly Simon, Stevie Wonder, Neil Diamond, Nina Simone, and even my girl, Norah Jones. Needless to say, there's a lot of history there. As a matter of fact, the Bitter End really is an odd window into the history of the entertainment industry, as well as the United States. Just ask Bob Dylan or Joni Mitchell how important the Bitter End was to them during the 60s, when they sang their songs of protest against the Vietnam War.

Now let me tell you why I love the Bitter End....

It has a piano. That sounds like a simple and obvious reason, but let me tell you why it's not. 

It is nearly impossible as a singer/songwriter who plays piano to find a venue that actually has a piano, let alone a decent one. If you're lucky, you'll run into a venue like Sidewalk Cafe (the main starting venue of Regina Spektor), which has an old upright piano against the wall of the stage. But who wants to play a show with their back to the audience? I know I don't.

The Bitter End has a cozy cafe atmosphere with dim lighting, cute tables, and a nice bar for all those who like to have a drink while they listen to good music. The walls are a beautiful red brick, and the acoustics are great, but my favorite part is the Yamaha grand piano on the stage. 

Let me tell you, I am usually forced to play in venues that don't have pianos, since these types of venues are usually the most common. If I only played shows at venues that had pianos, I would pretty much be limited to the same two or three spaces. Most venues in the NYC area in general are geared towards people who play guitar. Man, am I jealous of guitar-players whenever I see them strolling around with their guitars on their backs. If I could bring my piano with me everywhere, I totally would. 

The funny thing is, that is pretty much what I have to do whenever I play a show. I brace myself to lug my giant 88-key Yamaha stage piano (that's a fancy-schmancy name for my keyboard) to the venue. Usually I'll recruit a couple of friends to help me with this, and forget about feminism long enough to let one of my guy friends wheel the keyboard so that I can just hold the stand and the bench. It's way too much for one person to carry on their own. That being said, you cannot even imagine how refreshing it was for me to simply show up to my gig, and have a piano ready for me to play. This little convenient thing put me in the most positive mindset to perform. I'm glad to report that it went really well, and I had a blast the entire time. And the audience was awesome!

So thank you, Bitter End. This is why I love you. You look great, you sound great, and you're piano-friendly. 

Love always,

Leila

The Next Alicia Keys?

So when you're a girl who happens to play piano and sing at the same time, there are a few questions that people often ask.

"Is it hard to concentrate on playing and singing at the same time?"

"How old were you when you started playing piano?"

All reasonable questions. Here's the one I have the greatest love/hate relationship with:

"Are you the next Alicia Keys?"

Let me get one thing straight. There were many people who sang and played piano long before Alicia Keys came around. Did everyone forget Aretha Franklin, Carole King, Billy Joel, Elton John, and at least 100 other people?

Don't get me wrong, I adore Alicia, and actually went to see her live during her "Diary" tour at Radio City She is a fantastic woman - she's beautiful, talented, and compassionate, (Click here to read Alicia's Blog and you'll know exactly what I'm talking about). There's no doubt that she's been a huge influence in my music, and that she's one of the best talents in the mainstream music industry right now. Aside from being a classically-trained pianist, Alicia Keys has an undeniable raw talent and keen sense of style that sets her apart from a lot of other artists. The reason why I am grateful to her, however, is that she made playing piano look like the coolest thing someone can do. When Alicia Keys hit the charts, everyone admired her for her talent. If a beautiful girl from Harlem could be a classically-trained pianist and still be hip at the same time, then who could say that all pianists are stuffy nerds with wire-framed glasses? I'm not sure how old I was at the time when Alicia Keys hit it big, but I do remember that all of sudden I was proud to say that I played piano. And I wished I had practiced a little more Beethoven...

Sometimes the biggest challenge for me as an artist is trying to be distinguishable from other artists in my genre, while still trying to associate myself with these artists so that people have a clue as to what I sound like. Chances are, if you like Alicia Keys I'm probably girl. Even though my style is not as blatantly R&B, there are a lot of musical qualities that we share. I could say the same for Norah Jones. I've been listening to so much Norah Jones over the past three years, that I'd be lying if I tried to tell you that she didn't impact my music. So maybe that's it: maybe my sound is a happy medium between the classic/urban R&B sound of Alicia Keys and the more mellow, soft jazz/pop quality of Norah Jones. I am perfectly fine with this description. But you know what? Maybe it doesn't matter so much.

I am not the next Alicia Keys. Or the next Norah Jones. And although being known by any one of these titles would probably make me feel flattered, I would still have to say that neither one is accurate. I am the next me - the only me, and my music consists of three things: my thoughts, my voice, and my experiences. And from the bottom of my heart, I thank all of you for listening.

Yours truly,
Leila