Opening for Allen Stone Tomorrow!!!

 Tomorrow is a big day for me! At 9pm tomorrow night, my band and I will be opening for Allen Stone, an awesome up and coming artist from Washington who has been creating a lot of buzz in the soul music scene. The show is at the legendary S.O.B.'s, a famous Brazilian restaurant/nightclub/venue that has produced many successful artists. Some of their past acts include Celia Cruz, John Legend, Erykah Badu, Tito Puente, and Marc Anthony, just to name a few. As you can see, this is kind of a big deal!

Needless to say, I would greatly appreciate your support. It would be wonderful to see all of you there, and I'm really looking forward to this gig. S.O.B.'s is a great venue and I'm so thankful that I was given the opportunity to play there.

This is going to be a load of fun, and I hope you guys will join me. Check out the  Facebook Event  for more details, or go to the  S.O.B.'s website  for more information about the venue.

I'll leave you with a video of Allen Stone, who I am truly looking forward to seeing tomorrow night.

                     Impressed? Come out to the show tomorrow night and show your support!!


See you there ;)
Leila

Ray Charles: Piano Love

Believe it or not, a piano is just like a human being. In any healthy relationship with you have with another person, you always have to find a balance between being firm and knowing when to back down. I'm finding more and more that playing piano is very similar. All of the great piano players that I've heard have this balance between firmness and flexibility down to an art.

The other thing I've noticed about people who play piano very well is that they don't just play with their fingers. They play with their entire bodies. No, I don't mean that they play the piano with their elbows, their heads, or any other odd combination of body parts. What I mean is they don't just sit there like they're having a tea party. They move with the piano, flow with it, and put physical energy into the notes they play.

The best example I can give you is Ray Charles, one of my own personal idols. Ray is a great example because event though he couldn't see, DAMN could he feel. Check out this video and you will understand exactly what I mean. 

The sound quality on this particular video isn't great, but the visual really represents the idea that I'm referring to. Ray Charles was someone who had a deep connection with the piano as if it were a person. When you watch this video, you can see how he really moves with the music, feels the subtleties, and puts his entire body and soul into what he is playing. I get chills just watching this, and I can only hope that one day I will develop these skills to such a degree . I think the most important thing to observe here is that Ray looks completely relaxed, as if he's jamming out in his living room rather than playing in front of millions of people. It's like he's not thinking at all. Food for thought: Maybe the key to being a good musician is to stop thinking so hard?!

"Master your instrument, master the music, and then forget all that bullshit and just play." -Charlie Parker

HUSH, LITTLE BABY - Song Stories

Let me just start off by saying that my recital last week was a blast! Not only were there were tons of people there, but the energy from all of the people that came was just wonderful. So if you were in the audience, I tip my hat to you. It was truly a pleasure performing for you.

Let's talk about one of the songs. The first song that I performed in my set, called "Hush, Little Baby" is a song that I hold very dear to me. Sure, it's on my EP (click here to preview on Itunes) which already makes it pretty important, but it's so much more than that. Since I wrote "Hush Little Baby" I barely ever perform a set without it.

Why is that, you ask?

I guess you could say that "Hush Little Baby" is almost like my anthem. Every singer-songwriter has that one song that stands out a little more than than others, and for me, this one is IT. I think the reason why is that it really captures the conflicted emotion that every single one of us experiences. Have a listen, and try to focus on the words.

                                            

 If you still aren't quite sure what this song is about, join the club. I wasn't even completely sure when I started writing it - all I knew was that I was experiencing a mess of emotion and anxiety that I didn't know how to handle. If you've ever experienced anxiety, you know that there are sometimes so many things swarming around in your head at such a high speed that it's hard to distinguish one thought from another. After a while, your thoughts start to blur together into one complex blob of tension that weighs down your mind, and sets its heavy little butt on your shoulders. This song works the same way. If you can picture it, the piano riff that repeats over and over again is almost like someone constantly poking at you, waiting to see when will break down and smack their hand away. In other words, everyone cracks - it's human nature.

So where does God come into all of this? All you really need to know is that He (or She, or it, or whoever/whatever you think is up there, if anything) represents the hope that all of us want to feel at some point in our lives. I'll stay away from talking about my religious beliefs, but I think we can all agree that everyone just wants something to believe in. That something doesn't have to be religious at all - it just has to be something that gives you hope. Whether you have hope in another person, your plans for the future, or your dog, everyone is a little hopeful about something. That's why it hurts so much when these forces in your life let you down. Knowing that nothing always goes your way is one of the most is one of the most beautiful and heartbreaking parts of being alive.

For me, "Hush, Little Baby" represents the inner conversations that go on whenever I am too overwhelmed to take in what is around me. I'm sure you've noticed that the voices in my head are pretty patronizing, and some of your own inner conversations probably have that in common. No one really wants to break down, and we will do everything we can to talk ourselves out of it.

Here's to a hopeful week,
Leila

The Next Alicia Keys?

So when you're a girl who happens to play piano and sing at the same time, there are a few questions that people often ask.

"Is it hard to concentrate on playing and singing at the same time?"

"How old were you when you started playing piano?"

All reasonable questions. Here's the one I have the greatest love/hate relationship with:

"Are you the next Alicia Keys?"

Let me get one thing straight. There were many people who sang and played piano long before Alicia Keys came around. Did everyone forget Aretha Franklin, Carole King, Billy Joel, Elton John, and at least 100 other people?

Don't get me wrong, I adore Alicia, and actually went to see her live during her "Diary" tour at Radio City She is a fantastic woman - she's beautiful, talented, and compassionate, (Click here to read Alicia's Blog and you'll know exactly what I'm talking about). There's no doubt that she's been a huge influence in my music, and that she's one of the best talents in the mainstream music industry right now. Aside from being a classically-trained pianist, Alicia Keys has an undeniable raw talent and keen sense of style that sets her apart from a lot of other artists. The reason why I am grateful to her, however, is that she made playing piano look like the coolest thing someone can do. When Alicia Keys hit the charts, everyone admired her for her talent. If a beautiful girl from Harlem could be a classically-trained pianist and still be hip at the same time, then who could say that all pianists are stuffy nerds with wire-framed glasses? I'm not sure how old I was at the time when Alicia Keys hit it big, but I do remember that all of sudden I was proud to say that I played piano. And I wished I had practiced a little more Beethoven...

Sometimes the biggest challenge for me as an artist is trying to be distinguishable from other artists in my genre, while still trying to associate myself with these artists so that people have a clue as to what I sound like. Chances are, if you like Alicia Keys I'm probably girl. Even though my style is not as blatantly R&B, there are a lot of musical qualities that we share. I could say the same for Norah Jones. I've been listening to so much Norah Jones over the past three years, that I'd be lying if I tried to tell you that she didn't impact my music. So maybe that's it: maybe my sound is a happy medium between the classic/urban R&B sound of Alicia Keys and the more mellow, soft jazz/pop quality of Norah Jones. I am perfectly fine with this description. But you know what? Maybe it doesn't matter so much.

I am not the next Alicia Keys. Or the next Norah Jones. And although being known by any one of these titles would probably make me feel flattered, I would still have to say that neither one is accurate. I am the next me - the only me, and my music consists of three things: my thoughts, my voice, and my experiences. And from the bottom of my heart, I thank all of you for listening.

Yours truly,
Leila

Negative Inspiration = Creativity x 100

I have to admit, sometimes it is much easier to write a song when bad things happen. I suppose this means I'll be writing a song soon. This week is full of negative inspiration and I'm hoping this negative will spiral into a few great songs in the process. At the end of it all, I try to tell myself one thing: Even if an experience was completely horrible, the best way to make light of it is to write a song about it. If I can do that, then no experience is ever a waste. I'll also know that when I look back at the negative experience I'll always be able to see at least one positive thing about it: that I was creative.

I hope you guys forgive me for this melancholic post of mine, and I'll definitely be posting again later on this week. Hopefully by then, I'll have a new song to tell you about.

Wishing you all a better week than I'm having,

Leila

Monday: Song Stories

 Although it's past midnight and technically Tuesday, it's pretty much still Monday to me. I've been up since seven in the morning, which probably seems like a treat to some of you sleep-deprived workers/students out there. Getting to sleep until 7AM used to be a dream come true, yet now I found myself groaning every time my alarm clock sings to me, whether or it's 7 in the morning or 12 o'clock noon.

Almost exactly two weeks ago, I wrote a song called "Monday." Yes, this song was actually written on a Monday, and it is actually about Mondays (how mysterious). That day, I sat down at the piano with the intention of writing a song, though I didn't know what it would be about. I wasn't directly inspired by anything, and I was completely distracted by the entire mess that had been my day so far. Then I realized that all my distractions and lack of inspiration had just inspired my song topic.

Let's think of everything that Monday means to most people: work, getting up early, stress, the start of a new week, the end of the weekend (i.e. back to reality), and let's face it: leaving the people you love to go do whatever you have to do to pay the bills. Whether that means going to your job or classes, it all pretty much ends up being about the same thing in the end: money. If you're lucky, you love what you do and actually enjoy going to work every day. Regardless, for a lot of us (even musicians, believe it or not) there is a bit more to life than work, and it is these simple life pleasures outside of our careers that keep us going. There is a reason why we look forward to Friday, and it isn't just that the simple fact that the work week is over. For some of us, it is that there is someone we're waiting to see who we've been missing all week.

http://www.youtube.com/watch?v=4xkBq-4OQ84

Reach for the Sky: Is any topic too ridiculous for a song?

So here's my predicament for this week: I have to write a song about Buzz Lightyear for my next master class. Think I'm kidding? Well, I am absolutely, positively, 100% serious.

I guess I should give you guys a little background. Aside from being a singer/songwriter and trying to actually make it in the music industry, I also study songwriting at the Conservatory of Music at Purchase College. SUNY Purchase is a wonderfully artsy place full of inspiration and people who are not afraid to express themselves. Sometimes people's sense of expression can be a little alarming, but hey, whatever floats your boat. 

Anyway, I take a master class in composition and my professor likes to give assignments. My particular weakness in songwriting is writing to a topic, so naturally my assignment for the week would be to write to a topic. That's all fine and dandy. I don't mind a challenge, even if I complain about how unfair it is the entire time. However, only at Purchase College would I be forced to write about something so quirky and utterly ridiculous: Buzz freaking Lightyear. 

Don't get me wrong - I adore Buzz. This all started because a girl in my class was carrying something (though I can't remember what) with Buzz Lightyear on it, and I just so happened to express how much I love Buzz. Little did I know that I was digging my own grave, because suddenly my professor's face lit up with excitement and he said "Yes! That's your assignment for next week. You're going to write a song about Buzz Lightyear!"

So here I am, completely clueless about how I'm supposed to start this song. I guess I'll just have to do a little Toy Story research (i.e. watch the movies a few million times) before I figure out how I'm going to do this. By Thursday. Wish me luck - I'll need it!

Reach for the Sky!

Leila

Introduction: Inspiration, Ideas, and Experiences

I think the question of the day is, why would someone who writes songs also need to have a blog? Considering that I'm always working on a song of some kind, you'd think that I wouldn't need to express myself any further.

Let's think about this. In life, do we ever really get to say everything that we want to say? Usually not. There's always just a little more to say than what has already been said. What I'm starting to understand more than ever is that a song is only a 3-minute representation of the actual life events that surround it. So from an outside point of view, I'm forced to leave out a lot of details. This seems unfortunate in a lot of ways, but I'll tell you why it's not. It is often these unsaid details that make a song beautiful. Just because you didn't hear me mention what I ate for breakfast that day, or that annoying thing my ex used to do, doesn't mean that I didn't express these things in some way. Context is everything, and this makes writing very subliminal. So does performance. If you wonder why I pound my fingers down on the keyboard during that chorus, or why I always look like I'm dreaming when I sing that verse, it's because of the context. You might not know why I'm singing the words that I'm singing, but I do. And if you asked me to, I could look back and describe to you in detail all of the 7 million things that were going on in my life at the time when I wrote that song. 

I suppose now would be the time to introduce myself. My name is Leila, and Eric Clapton spelled my name wrong. I guess he's awesome for writing a song with my name in it to begin with - I mean, L-A-Y-L-A would be the most obvious spelling. But hey, I like to think my way is better.

Like Sir Eric, I write music. I think it's safe to assume that you've realized this by now, but there's no harm in stating the obvious. I've been writing music since I was eleven. Technically I used to make up songs in the shower when I was in elementary school, but I suppose those don't count since I never actually wrote them down. All of those little songs were about ridiculous things like Elmer's glue and Crayola crayons - I guess as a child I would either be considered weird or cute, depending on your standards. 

Despite all the songwriting speeches I've been giving you, I really started out as a singer. Singing was probably my first love, and I still love it more than anything. A lot of singer/songwriters don't put a lot of stock in the "singing" part of their title, but this is one of the most important parts of my music. I take the singing part just as seriously as the writing part, because as I briefly mentioned before, performance has a lot to do with the way a song is perceived. That being said, I write my songs to suit my voice. This could  be a slight problem if I ever have to write for another artist, but I'm not sure I would ever want to do that.  If context is everything, I probably couldn't handle giving my song to another singer that didn't live through the specific experiences that I did while I was writing the song. This may seem amateur, but I suppose there's a little bit of childish pride in all of us. At this point in my life, I'm just not ready to let go.

The piano was my second love. Don't get me wrong - I didn't treat it very well, and I neglected it pretty often in many ways. I rarely ever practiced in the traditional sense of practicing, and this is probably why I don't sight-read or do any of those things that crazy pianists do. As soon as I figured out that I could use the piano to accompany my singing, I began to write songs. And that was pretty much it for me. Of course I was still playing piano all the time, but let's just say that scales and Bach inventions unfortunately took a backseat after that.

For now, that's all you really need to know about me. I'll try not to pour my heart out too quickly, and I'll try even harder not to give away all the background of every song I write. My only hope is that you can reflect on your own experiences as you listen. 

With love from a humble singer/songwriter,

Leila